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Min bestemor strøk kongens skjorter som bildebok og animasjonsfilm
Abstract
Artikkelen undersøker bildebokadaptasjonen av animasjonsfilmen Min bestemor strøk kongens skjorter. Den sammenligner ’’fortellingen om krigen’’ og måten den blir fortalt på i film og bildebok, og drøfter det retoriske potensialet i mediespesifikke uttrykksformer for de to teksttypene, spesielt med tanke på at de henvender seg til barn.
This article investigates a picture book adaptation of the animated film My Grandmother ironed the King’s Shirts. Thus, two versions of a story from World War II made by the Norwegian author, illustrator and film producer Torill Kove are compared. The focus is on the rhetorical potential of the two media text types and art forms with a special consideration about the address to children.
(Published: 6 September 2011)
Citation: Nordic Journal of ChildLit Aesthetics, Vol. 2, 2011 DOI: 10.3402/blft.v2i0.8157
This article investigates a picture book adaptation of the animated film My Grandmother ironed the King’s Shirts. Thus, two versions of a story from World War II made by the Norwegian author, illustrator and film producer Torill Kove are compared. The focus is on the rhetorical potential of the two media text types and art forms with a special consideration about the address to children.
(Published: 6 September 2011)
Citation: Nordic Journal of ChildLit Aesthetics, Vol. 2, 2011 DOI: 10.3402/blft.v2i0.8157
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BLFT. Barnelitterært forskningstidsskrift/Nordic Journal of ChildLit Aesthetics eISSN 2000-7493
This journal is published under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported License. Responsible editor: Kristin Ørjasæter.