”Det blir mackor med O’boy och O’boy. Och flingor med O’boy” Förpackning och varumärke som representation av det vardagliga livet och konsumtionen som frigörelse
Abstract
Packaging and trademarks as representation of everyday life and consumption as liberation. This text shows how the packages in Pija Lindenbaum When Owen’s mom breathed fire (2005) represent the everyday life and the reality in contrast to his mother who turned into a dragon. The text also shows how consumption can represent liberation and personal growth in a few Swedish picture books of recent years. It also covers how a rejection of the commercial children’s literature can effect our view of the packaging of children’s book illustrations. Examples from Gunilla Bergström’s books about Alfi e Atkins shows how the anonymous and nonrecognizable packaging can be perceived.
Keywords: Pija Lindenbaum, Gunilla Bergström, packaging, consumption, Swedish children’s literature
(Published: 3 March 2011)
Citation: Nordic Journal of ChildLit Aesthetics, Vol. 2, 2011 DOI: 10.3402/ blft.v2i0.5834
Note: This article is being published simultaneously in Barnboken – tidskrift för barnlitteraturforskning/Journal of Children’s Literature Research and Nordic ChildLit Aesthetics/Barnelitterært forskningstidsskrift
Keywords: Pija Lindenbaum, Gunilla Bergström, packaging, consumption, Swedish children’s literature
(Published: 3 March 2011)
Citation: Nordic Journal of ChildLit Aesthetics, Vol. 2, 2011 DOI: 10.3402/ blft.v2i0.5834
Note: This article is being published simultaneously in Barnboken – tidskrift för barnlitteraturforskning/Journal of Children’s Literature Research and Nordic ChildLit Aesthetics/Barnelitterært forskningstidsskrift
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BLFT. Barnelitterært forskningstidsskrift/Nordic Journal of ChildLit Aesthetics eISSN 2000-7493
This journal is published under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported License. Responsible editor: Kristin Ørjasæter.